Arab Stereotypes and American Educators
Arab Stereotypes and American Educators
By Marvin Wingfield and Bushra Karaman, March 1995 Download in PDF
When American children hear the word “Arab" what is the first thing that comes to mind? Perhaps the imagery of Disney‘s Arabian Nights‘ fantasy film Aladdin, a film which has been immensely popular in theaters and on video and is sometimes shown in school classrooms.
Yet Arab Americans have problems with this film. Although in many ways it is charming, artistically impressive, and one of the few American films to feature an Arab hero or heroine, a closer look reveals some disturbing features.
The film‘s light-skinned lead characters, Aladdin and Jasmine, have Anglicized features and Anglo-American accents. This is in contract to the other characters who are dark-skinned, swarthy and villainous-cruel palace guards or greedy merchants with Arabic accents and grotesque facial features.
The film‘s opening song sets the tone;
Oh, I come from a land, From a faraway place, Where the caravan camels roam, Where they cut off your ear If they don‘t like your face, It‘s Barbaric, but hey, it‘s home.
Thus the film immediately characterizes the Arab world as alien, exotic, and "other." Arab Americans see this film as perpetuating the tired stereotype of the Arab world as a place of deserts and camels, of arbitrary cruelty and barbarism (see more on arab stereotypes).
Therefore, Arab Americans raised a cry of protest regarding Aladdin. The American-Arab Anti Discrimination Committee (ADC) challenged Disney and persuaded the studio to change a phrase in the lyrics for the video version of the film to say: “It‘s flat and immense, and the heat is intense. It‘s barbaric, but hey‘ it‘s home.” While this is an improvement, problems remain.
Former ADC President Candace Lightner, founder of Mothers Against Drunk Driving, comments, “I was angry and embarrassed when I listened to the Aladdin lyrics while watching the movie. I could only hope that the audience was not paying close attention and would not take home with them a poor image of the Arab world.” She adds, “I only wish Disney had consulted us first before they developed a movie, reaching millions of people, based on our culture. This is why there is an ADC.”
Grassroots protest has also been successful in combating the troubling elements of this film. In Illinois, a 10-year old Arab American girl persuaded a music teacher leading the school chorus to discard the offensive Aladdin lyrics-although she had to explain three times why the lyrics were offensive before the teacher “got” it.
Arabs in Popular Culture
Disney is by no means the only offender. Popular culture aimed at children is replete with negative images of Arab women as belly dancers and harem girls, and Arab men as violent terrorists, oil “sheiks,” and marauding tribesmen who kidnap blond Western women.
Arabs are frequently cast as villains on Saturday morning TV cartoons, Fox Children Network‘s Batman, is one example. This cartoon portrayed fanatic, dark-complexioned Arabs armed with sabers and rifles as allies of an “alien” plotting to take over the Earth.
A few years ago, Spencer Gift stores sold “Arab” Halloween masks with grotesque physical features, along with their usual array of goblin, demon, and vampire masks. The chain stocked no other ethnic masks.
Comic books frequently have Arab villains as a gratuitous element in their story line: Tarzan battles with an Arab chieftain who kidnaps Jane, Superman foils Arab terrorists hijacking a U.S. nuclear carrier, and the Fantastic Four combat a hideous oil sheikh supervillain. But, as Lebanese American media analyst Jack Shaheen comments, “there is never an Arab hero for kids to cheer” (Shaheen 1980, p.5).
Negative portraits of Arabs are found in numerous popular films, such as True Lies, Back to the Future, and Raiders of the Lost Ark.
Computer games often feature cartoon Arab villains in which children rack up high scores and win games by killing Arabs.
Ethnic stereotypes are especially harmful in the absence of positive ethnic images. Shaheen observes that Arabs are “hardly ever seen as ordinary people, practicing law, driving taxis, singing lullabies or healing the sick” (Shaheen, 1988, p.10).
Arab Stereotypes Among Educators
Popular films and television imprint young children with numerous negative images of Arabs, and American educators do not do enough to correct this bias. Many do not even perceive anti-Arab racism as a problem. Educators who have not yet been alerted to this issue and are unaware of the potential harm being done are themselves part of the problem.
Despite the multicultural philosophy that currently prevails in American education, ADC has found many teachers and the public at large not yet sufficiently sensitized to the problem of anti-Arab and anti-Muslim stereotyping. While multicultural articles, books, and curriculum teaching units may deal with the heritage of African American, Hispanic, Native American and Asia/Pacific American cultures-it is not unusual for them to ignore Arabs and the Middle East.
One educator in Fairfax County, Virginia, commented that, “The kids from the Middle East are the lost sheep in the school system. They fall through the cracks in our categories.”
The Middle East Studies Association (MESA) and the Middle East Outreach Council (MEOC) have researched history and geography textbooks, finding “an over-portrayal of deserts, camels and nomads” in the chapter on the Middle East. Even some well-intentioned teachers use the Bedouin image as somehow typifying “Arab culture.”
In fact, only about 2% of Arabs are traditional Bedouin, and today there are probably more Arab engineers and computer operators than desert dwellers.
American textbooks are often Eurocentric, while Arab points of view regarding such issues as the nationalization of resources or the Arab-Israeli conflict are presented inadequately or not at all. The MESDA/MEOC study concluded that, “The presentation of Islam is so problematic that it is perhaps time for educators at the college and university level to send a red alert to their colleagues at the pre-collegiate level. Crude errors and distortions bound” (Barlow, 1994, p.vii).
Some textbooks link Islam to violence and intolerance, ignoring its commonalities with Christianity and Judaism. While from a contemporary ecumenical or interfaith perspective, Yahweh, God the Father, and Allah (the generic word for God in Arabic) can be regarded as one God. Textbooks sometimes discuss Allah as if the word referred to an Alien god remote from Jewish and Christian tradition.
Overt anti-Arab racism, while rare, does occur. ADC received a report than an Arab American student at a private school in Virginia was forbidden to go to her school prom with either a Black or a White date. “You are a foreigner,” she was told by her teacher, “You must go with someone who has the same features.”
Effects of Stereotyping on Arab American Children
What does it feel like for Arab-American children to grow up surrounded by a culture that does not recognize their ethnic identity in a positive way?
They may find that the message about the Arab world in school conflict with the values and traditions passed on at home. The images of Arabs which are conveyed in the classroom may have nothing in common with their relatives and experiences at home or their friends and relatives in the neighborhood, church/mosque, or elsewhere. They also find their peers to be influenced by negative and inaccurate images and preconceptions about the Arab heritage. Obviously these circumstances lead to hurtful experiences.
Dr. Shaheen remembers being taught in his Lebanese American home to be proud of his family‘s Arab heritage. But at school, he remembers teasing, taunts and epithets: “camel jockeys,” “desert niggers,” “greasy Lebs.”
Shaheen reports that his children were deeply upset when eight students in the annual Halloween parade at their school dressed up as “Arabs” -- with accessories such as big nose, oil cans or money bags to complete the costume. Later, at the school‘s ethnic festival, “our children were hesitant to wear ethnic costumes,” he said (Shaheen, 1980, p.2).
Others report similar incidents. Carol Haddad, a second-generation American of Lebanese and Syrian ancestry, describes her experience at age ten: “Each time I left the security of my family house, I experienced the oppression of being darker and different.” Her family was stared at on the street, and Irish and German American